# Bibliography

Beal, Becky, and Belinda Wheaton. "Sportizing the Skateboard? Signals of Autonomy, Identity, and Resistance in a Postmodern Sport." *Journal of Sport and Social Issues* 25, no. 3 2001: 313-337.

Cardwell, Mike, Dictionary of Psychology, Chicago Fitzroy Dearborn, 1999: 292. ISBN 978-1579580643.

Chang, Jeff. *Can't Stop Won't Stop: A History of the Hip-Hop Generation.* New York: St. Martin's Press, 2005.

Cohen, Albert K. *Delinquent Boys: The Culture of the Gang.* New York: Free Press, 1955.

Cohen, Phil. "Subcultural Conflict and Working-Class Community." In *CCCS Selected Working Papers*, edited by Ann Gray, Jan Campbell, and Mark Erickson, 554-577. London: Routledge, 2007.

Drew, Chris. "21 Best Subculture Examples (A to Z List) – Youth & Music!" *Helpful Professor*, February 17, 2023. <https://helpfulprofessor.com/list-of-subcultures/>.

Gangemi, Aldo, and Presutti, Valentina. "Formal Representation and Extraction of Perspectives", in Creating a More Transparent Internet, *The Perspective Web*, pp. 208-228, Cambridge University Press, April 2022.\
[https://doi.org/10.1017/9781108641104](https://doi.org/10.1017/9781108641104)

Greif, Mark. "What Was the Hipster?" *New York Magazine*, October 3, 2010.

Hall, Stuart. "Encoding/Decoding in the Television Discourse." *University of Birmingham: Centre for Contemporary Cultural Studies*, 1973.

Hebdige, Dick. *Subculture: The Meaning of Style.* London: Routledge, 1979.

Hemingway, Wayne. "The 10 Best British Youth Cultures." *The Guardian*, July 10, 2011. <https://www.theguardian.com/culture/gallery/2011/jul/10/10-best-british-youth-cultures>.

Hodkinson, Paul E. *Goth. Identity, Style and Subculture.* Oxford: Berg Publisher, 2002.

Hodkinson, Paul E., and Wolfgang Deicke, eds. *Youth Cultures: Scenes, Subcultures and Tribes.* London: Routledge, 2007.

Lamerichs, Nicolle. *Productive Fandom: Intermediality and Affective Reception in Fan Cultures.* Amsterdam: Amsterdam University Press, 2018.

Mitchell, Tony. "Local Noise - Hip-hop as a “glocal” subculture". *Ultimo Series Seminar*, UTS, 18th March, 1998. <https://citeseerx.ist.psu.edu/document?repid=rep1&type=pdf&doi=1c687732a1c4cb9fb2d08f5a47b7d4398e2a4762>

Moore, Ryan. "Alternative to What? Subcultural Capital and the Commercialization of a Music Scene." *Deviant Behavior* 26, no. 3 (2005): 229-252.

Moore, Ryan. "Postmodernism and Punk Subculture: Cultures of Authenticity and Deconstruction." *The Journal of Popular Culture* 44, no. 2, 2010: 279-299. <https://www.tandfonline.com/doi/full/10.1080/10714420490492238#d1e137>.

Muggleton, David, and Rupert Weinzierl, eds. *The Post-Subcultures Reader.* Oxford: Berg, 2003.

Newman, Sabrina. "The Evolution of the Perceptions of the Goth Subculture." Master's thesis, Johnson & Wales University, 2018. <https://core.ac.uk/download/pdf/303926488.pdf>.

Noy, Natalya F., McGuinness. Deborah L., Ontology Development 101: A Guide to Creating Your First Ontology, Stanford University, Stanford, CA, 2001.

Reynolds, Simon. *Energy Flash: A Journey Through Rave Music and Dance Culture.* London: Picador, 1998.

Sabin, Roger, ed. *Punk Rock: So What? The Cultural Legacy of Punk.* London: Routledge, 1999.

Shaw, Adrienne. *Gaming at the Edge: Sexuality and Gender at the Margins of Gamer Culture.* Minneapolis: University of Minnesota Press, 2014.

Weinstein, Deena. *Heavy Metal: The Music and Its Culture.* New York: Da Capo Press, 2000.

Widdicombe, Sue. "Autobiography and Change: Rhetoric and Authenticity of 'Gothic' Style." In *Repertoires and Readings of Texts in Action*, edited by Erica Burman and Ian Parker, 94-113. London: Routledge, 1993.

Williams, Patrick J. "Youth Subcultural Studies: Sociological Traditions and Core Concepts." *Sociology Compass* 1, no. 2 (2007): 572-593.
